March is International Women’s History Month, a time to celebrate the contributions of women across all fields—including classical music. This week, our 1 p.m. feature spotlights the works of Swedish composer Alfrida Andrée (1842–1929), a pioneering musician who shattered barriers in a male-dominated industry. Join us daily as we showcase some of her finest compositions.
Monday, March 10 – String Quartet in D Minor (1887)
Andrée’s String Quartet in D Minor is a compelling early work that demonstrates her command of form and texture. Written in 1887, it showcases rich harmonic language and lyrical melodies, reflecting both Romantic influences and her own distinctive voice. The quartet opens with a dramatic Allegro, featuring urgent thematic material. The second movement, Adagio, offers a lyrical contrast with its songlike melody. The Scherzo is lively and rhythmically playful, while the final Allegro rounds out the work with energy and drive.
Tuesday, March 11 – Piano Quintet in E Minor (1865)
Composed in 1865, this Piano Quintet is an intense and dramatic piece filled with sweeping melodies and intricate interplay between piano and strings. The opening Allegro is stormy and passionate, showcasing Andrée’s ability to craft dramatic tension. The second movement, Andante, provides a moment of serenity, featuring rich harmonies and expressive melodies. The Scherzo is light and nimble, contrasting with the grandeur of the Finale, which brings the quintet to an exhilarating conclusion.
Wednesday, March 12 – Symphony No. 2 in A Minor (1879)
Andrée’s Symphony No. 2 in A Minor, completed in 1893, is a testament to her ambition as a symphonic composer. With grand orchestral textures and evocative themes, this symphony solidifies her place among the 19th century’s great symphonists. The first movement, Allegro con brio, is bold and heroic, setting the stage for the expressive Andante, which explores lush, lyrical melodies. The Scherzo dances with rhythmic vitality, while the Finale drives the symphony home with a triumphant and dramatic conclusion.
Thursday, March 13 – Piano Sonata in A Major (1870)
The Piano Sonata in A Major, written in 1869, is a beautifully structured work that balances lyrical expression with virtuosic passages. The opening Allegro is spirited and energetic, displaying Andrée’s command of thematic development. The second movement, Adagio, is deeply expressive, providing a meditative contrast. The Scherzo, light and playful, leads into the robust and triumphant final movement, which showcases dazzling pianistic flourishes.
Friday, March 14 – Piano Trio in G Minor (1883-84)
Closing the week, the Piano Trio in G Minor (1887) features soaring melodies and dynamic interplay between violin, cello, and piano. The first movement, Allegro, is full of passionate themes and rich harmonies. The slow movement, Andante, provides an introspective moment with lyrical beauty. The Scherzo is lively and intricate, while the Finale drives toward an exhilarating and powerful conclusion.
A Trailblazer in Swedish Music
Born in 1841, Alfrida Andrée was not only a composer but also a pioneer for women in music. She was one of the first female organists in Sweden and an advocate for women’s rights in the arts. Her compositions, ranging from symphonies and chamber music to organ works and vocal pieces, showcase her remarkable talent and resilience in an era that often limited women’s roles in composition and performance.
This week’s musical journey through Andrée’s works highlights her legacy as both a groundbreaking musician and an important figure in women’s history. Tune in at 1 p.m. each day to celebrate her contributions to classical music.